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MikeVee, DeletedDiscogsUser, DJzFanzNFreakz, vanity6, Nathan_86, zevulon, z-music, newwavemh, sound.and.vision, Optizity, Charmedfanatic, grant12, etzael, tsivihcra, drosike, britneyonline, richardcuyar, Perplexer-, kaynaky, EvilGnome6

Britney SpearsOops!...I Did It Over again

1 Oops!...I Did It Once more 3:31
two Stronger 3:23
3 Don't Become Knockin' On My Door

ProducerJake*

3:14
4 (I Tin't Become No) Satisfaction

ProducerRodney Jerkins

4:28
5 Don't Let Me Be The Last To Know

ProducerRobert John Lange

iii:50
6 What U See (Is What U Get)

ProducerDavid Kreuger, Per Magnusson

3:14
seven Lucky 3:25
eight One Osculation From You

ProducerLarry "Rock" Campbell, Steve Lunt*

3:23
nine Where Are You Now four:39
ten Tin't Make You Love Me

ProducerJake*, Kristian Lundin

3:xvi
11 When Your Eyes Say It

ProducerSteve Lunt*

4:06
12 Dear Diary

ProducerTimmy Allen

ii:46
  • Phonographic Copyright ℗ – Zomba Recording Corporation
  • Copyright © – Zomba Recording Corporation
  • Manufactured Past – Zomba Recording Corporation
  • Pressed Past – Sonopress U.s. – 07592-02
  • Pressed By – Sonopress USA – 07589-01
  • ManagementJohnny Wright (4), Larry Rudolph
  • Mastered ByTom Coyne
  • ProducerMax Martin ( tracks: 1, 2, 7, 9 ) , Rami ( tracks: 1 to three, 6, 7, ix )
  • Barcode : 0 1241-41704-2 2
  • Mastering SID Code : IFPI L028
  • Matrix / Runout (Variant 1) : 01241417042 + + 07592-02 SONOPRESS USA
  • Mould SID Code (Variant i) : IFPI 1004
  • Matrix / Runout (Variant 2) : 01241417042 + + 07592-02 SONOPRESS The states
  • Mould SID Code (Variant 2) : IFPI 1032
  • Matrix / Runout (Variant 3) : 01241417042 + + 07589-01 SONOPRESS United states of america
  • Mould SID Code (Variant 3) : IFPI 1033
  • Matrix / Runout (Variant four) : 01241417042 + + 07589-01 SONOPRESS Us
  • Mould SID Code (Variant 4) : IFPI 1035

sound.and.vision's avatar

Okay, and then this may expect a bit weird on my page...a Britney Spears release in amongst a lot of releases for stone bands! But im a person that will TRY anything in music, fifty-fifty if its something i perceive to be rubbish earlier i've heard it - just and so that my rating and review is justified. And seeing as i have a Spotify account i can listen to whatsoever anthology, similar this one, for free and still within the law.

Anyway my reason for this review aside. I grew up with Miss Spears on the radio equally i was born in '94. And then i pretty much know who she is, her shenanigans in the press and all of her hits from her debut to present. So today while listening to some classic 70s rock (Aerosmith, Bad Company and Kiss) i thought hmm i experience like reviewing a mainstream pop album. So i picked one at random from what was selling on ebay and up came Oops!...I Did Information technology Again. I idea yeah i shall requite this a cursory decent review.

Now im currently listening to Oops!... as im typing this and yep - i got what i expected. Teen pop (which is the style she took on in her early on years) that is so over processed in the studio, with lyrics that replicate dreams that girls of 10 and under have. So the anthology starts off with ane of her near well known songs, Oops!...I Did It Once more - also the album title. Which is okay for a radio striking, i dont await highly upon much stuff played on the radio - but its non the worst one i've heard to exist in the top x, although it sure as hell tin can be annoying and has the emotional depth of a puddle in summertime. I also detect information technology really strange how their are no Written-By credits for this anthology either, so im guessing shes just singing these lyrics not writing them besides. Afterward the title runway we get to some other well known hit by miss spears, Stronger - which just brings back too many memories of existence young (my sis had it on an Early Learning Middle Cassette when i was young)...and yep its still equally poppy as it was dorsum then. The third track i dont mind actually, information technology has a actually absurd beat to it, and maybe thats all thats good on this album. It has a very much of a pop-lock trounce to it, and the vocals are pretty alright. After that well it almost becomes and undistinguishable mess of over produced popular crap (i was trying to avoid using that give-and-take, only distressing it is). It all sounds the same, every track has a continual beat with no tempo changes, Britney's vocals come up in two forms nasily singing or talking (with the use of a course of vox modification). The songs after 3 range between quite upbeat songs similar track 8 to slower tracks like 12 - but yet nonetheless a mush of synthetic drum beats and other sounds that audio similar they came from a £threescore keyboard from Toys'R'Us.

What amazes me is that Britney'southward vocals actually but have one tone, and have always really washed...you never hear her singing similar one of her other musical peers from the Disney channel *cough*Christina Augliera*coughing*. Okay so there are forms of rock that are similar in the way that they are sung in one tone, 1 that springs to mind is Grunge, simply nonetheless at to the lowest degree that music has depth to redeem it from 1 dimensional vocals. Maybe Britney cannot sing any higher, or lower for that matter, than she already does and will ever forever and a day sing with this lullaby sound...fifty-fifty if it does become a bit sultry at times (Womanizer) then again she completely DROPS singing in that track and just goes for talking.....sadly Womanizer is a guilty pleasure of mine but for the beat that i like (it was when that sound wasnt killed by Miss GaGa, Mrs Cole and their motley crew that are destroying music 24-hour interval-by-day).